Beyoncé’s music constitutes a vast and varied diatribe against the patriarchy. Based on her infamous dissertation, which took the internet by storm earlier this year, Molly Inglis explores constituent parts of Beyoncé’s brand of feminism.
Alpana Sajip explores the wider implications of the Mead Gallery’s 2016 exhibition ‘The Human Document’, considering how truthfully photography can reflect the human condition, and how it has continued to evolve from post-Depression America to today’s digital universe
Aine Clarke analyses the concept of nuclear deterrence, throwing light on changes afoot in the Ministry of Defense.
Our Managing Editor, Tom Harrison, looks at the current state of our atmosphere and why it should terrify us.
The Grenfell Tower fire is proving to be a battleground for the future of austerity. Our new Arts & Culture editor, Molly Russell, explains how this tragedy is eminently political and how it will influence the future of urban space.
Last night’s election was nothing short of a mixed bag. Our co-Editor-in-Chief, Finn Halligan, addresses some lessons to be learned from the shock outcome.
Warwick teeters on the edge of a crisis over management’s plan to gut Statute 24, the key protection for academic staff from politicised dismissal. In response, an emergency action has been called to coincide with Warwick’s Open Day on June 24, Warwick UCU have pledged to move towards industrial action, and eight academic departments have slammed the reforms for jeopardising academic freedom. Connor Woodman reports.
Statute 24 – which contains robust employment protections for academic staff – is currently being gutted by Warwick’s management. But evidence from Warwick’s archives suggests that such statutory protections have stopped management from politically-motivated dismissals in the past. Connor Woodman reports.
